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Jean-Pierre Martinez is a French playwright and scriptwriter. He was born in 1955 in Auvers-sur-Oise, France. He wrote 62 comedies, three of them (Friday the 13th, Strip Poker and Him and Her), translated in English. Jean-Pierre Martinez experienced first the stage as a drummer in various rock bands, before to become a semiologist in the field of advertising. He worked afterwards as television scriptwriter, and came back to the stage as a playwright. Today he is among the most played contemporaries playwrights in France, and several of his plays have already been translated in spanish and english. He graduated in spanish and english litterature (Sorbonne), in linguistics (Ecole des Hautes Etudes en Sciences Sociales), in economics (Institut d’Études Politique de Paris) and scriptwriting (Conservatoire Européen d’Ecriture Audiovisuelle).

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Strip Poker

4 characters : 2 males and 2 females

Asking the new neighbours over for dinner to get to know them: a risky move that could end up costing more than it’s worth and a perfect opportunity for a poker comedy where every player must eventually show their hand.



Friday the 13th

3 characters : 1 male and 2 females

John and Christine have invited two of their friends for dinner in their London home. Natalie arrives without her husband, distraught, having just heard that the plane bringing him home crashed at sea. With the potential widow they wait with baited breath for news confirming whether her husband is among the survivors … and learn that they are the winners of that evening’s super jackpot lottery draw. From then on, the operative words are “controlling emotions”. And that is just the beginning of this eventful evening, with twists, turns and revelations galore.



Him and Her

Interactive Monologue

One or several couples

About the exciting adventure of living together…



Critical but Stable

6 characters (male or female)

Raymond is in a deep coma following an accident on a Boris Bike. His long lost relatives are called to his bedside to decide what to do and avoid prolonged therapeutic interventions. But this collective decision becomes even more difficult when the patient turns out not to be who everyone thought he was. And is the keeper of a secret that could make everyone very rich…














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